The End of The Beginning: Movie Preview & Buzz
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The End of The Beginning: Movie Preview & Buzz

Anita Gupta·5 min read

Photo: TMDb

If you’ve been doomscrolling through the endless abyss of streaming catalogs looking for something that defies all logic and marketing categories, congratulations - you’ve found it. Arriving with the mysterious energy of a classified government file, The End of The Beginning is a 13-minute slice of pure, unfiltered weird that is somehow about three stones and a stick making their "first ever video." Yes, you read that correctly. No, I cannot explain it further. And honestly, that’s exactly why you’re going to want to press play.

Let’s be real: this is not your typical Marvel-style blockbuster teaser or a prestige HBO drama. This is the cinematic equivalent of finding a burned DVD in a park with "PLAY ME" written on it in sharpie. It’s short, it's cryptic, and it features a Pepe’s mukbang. If that sentence alone doesn’t pique your interest, then maybe you’re on the wrong website, friend.

Release Date & Where to Watch

Here’s where things get delightfully vague. The release date for The End of The Beginning is currently listed as "unknown," which in the movie world usually means one of three things: it’s a secret festival drop, it’s trapped in distribution limbo, or the filmmakers are just trolling us. Given the project’s premise, I’m leaning heavily toward the latter.

Don’t expect a simultaneous theatrical rollout or a massive billboard on Sunset Boulevard. This feels like a Vimeo link shared in a Discord server at 3 AM kind of release. However, given the recent boom in short-form experimental content, don't be surprised if it surfaces on a platform like YouTube, Vimeo, or an obscure corner of Mubi that smells faintly of incense and artisanal coffee. The "where" is part of the fun - half the excitement is hunting it down. Keep your eyes peeled on the usual indie circuit, film Twitter, and possibly a cryptic QR code pasted to a lamppost in Williamsburg.

Cast & Crew

Noam Chomsky could be in this, and we wouldn't know. The cast is listed as "unknown," which is either a deliberate artistic choice to keep the focus on the inanimate objects, or the actors are literally rocks. I’m choosing to believe the latter. There’s a certain method-acting purity in casting literal stones for a role about literal stones that I can’t help but respect.

The director is also a mystery, but let’s play detective for a second. The premise - objects making their first video, a Pepe’s mukbang (for the uninitiated, that’s the beloved pepper-and-salt egg-and-cheese breakfast sandwich from the beloved NYC bodega chain) - suggests a creator who is deeply online, deeply hungry, and deeply in tune with hyper-specific internet subcultures. This feels like the brainchild of a viral video essayist, a surrealist comedian, or a film student who finally convinced their friends to let them do something "really out there" for their thesis. Whoever they are, they have a warped sense of humor that I already adore.

Story & What to Expect

Okay, let’s get into the meat (or, rather, the egg-and-cheese) of this thing. The plot, as far as we can discern, involves three stones and a stick. They have never made a video before. This is their debut. Imagine the awkward energy of your first Zoom call, but you’re a piece of granite and your colleague is a piece of quartz. That’s the vibe.

The official synopsis mentions "a Pepe's mukbang." For those who don’t live on the internet, a mukbang is a video where the host eats copious amounts of food while chatting with the audience. Now, imagine that concept, but the host is a stone. Or maybe the stick is the host, and the stones are the guests. We don't know. We can't know. But the idea of a 13-minute short dedicating a significant portion of its runtime to an inanimate object theatrically consuming a breakfast sandwich from a 24-hour bodega is comedy gold. It’s either going to be the most profound commentary on consumerism we've seen in years, or it’s going to be a fever dream. Either way, it's a win.

And then there’s the "very special vlog." The phrase "very special episode" usually implies a heavy topic tackled by a sitcom family. Here, it likely means the stick sits down, looks at the camera, and has a deep, heartfelt conversation about the nature of existence. Or maybe they just vlog about their day. The juxtaposition of the mundane (vlogging) with the absurd (a speaking stick) is perfectly pitched for the post-irony era. Expect dry humor, awkward pauses, and a surprising amount of emotional depth from a piece of wood. I’m not saying it’s going to make you cry, but I’m also not not saying that.

Why It's Worth Watching

In a cinematic landscape dominated by billion-dollar franchises and 3-hour runtime epics, The End of The Beginning sounds like a palate cleanser. It’s a reminder that filmmaking can be weird, fun, and incredibly cheap. We don’t need a budget for this one; we just need a backyard, some craft supplies, and a lot of imagination.

Also, we need to talk about that title. The End of The Beginning suggests that this is the first step in a larger saga. Is this the genesis of a cinematic universe for inanimate objects? Are we going to get The Middle of The Middle next? Or The Beginning of The End? The potential for a completely unnecessary, multi-film franchise built on a 13-minute gag is possibly the most entertaining thought I’ve had all week. I’m hoping for a post-credits scene where a leaf walks in and says "Hey guys, I heard we’re making content now."

With a TMDb rating of 0/10, the film currently has zero scores, which is the perfect blank slate. It’s a mystery box that doesn’t require a 5-hour fan wiki to understand. It’s the kind of thing you watch with friends, not to be moved, but to be bewildered. It’s an inside joke you haven’t been told yet, but you’re desperate to be in on it. Whether it’s a masterpiece of absurdist art or a glorified student project, The End of The Beginning promises to be the most intriguing 13 minutes you’ll spend this year. Just don’t forget the hot sauce.

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