Let's start with the obvious: Stallone is having a blast, and that enthusiasm is contagious. As Dwight "The General" Manfredi, he's found a character who lets him play the weary-but-scheming patriarch - the guy who's seen it all, been burned by everyone, and still can't resist the urge to build one more thing. It's a role that fits him like a tailored suit, and Season 4 gives him plenty to chew on as Dwight navigates the shifting loyalties around him.
The ensemble remains one of the show's genuine pleasures. Martin Starr's Bodhi is the perfect comic counterweight to Dwight's gravitas, all deadpan absurdity and misplaced enthusiasm. Jay Will's Tyson brings a youthful energy that keeps the show from getting too stuck in its old-school rhythms. Vincent Piazza's Vince Antonacci and Chris Caldovino's Goodie Carangi add texture to the mob side of the equation, reminding us where Dwight came from and why that world still pulls at him. Frank Grillo's Bill Bevilaqua is the kind of presence that perks up any scene he's in, and Annabella Sciorra's Joanne gives the show an emotional grounding that keeps it from becoming purely a caper.
What works best this season is the show's willingness to let its characters make choices that feel earned. There's a lived-in quality to the relationships, a sense that these people have history together and that the cracks in those bonds matter. The writing trusts the audience to keep up with the shifting alliances, and it rewards that trust with payoffs that land.
What doesn't work is the occasional sense that the show is circling familiar territory. The "old mob guy vs. new surroundings" tension is the show's bread and butter, and while Season 4 handles it competently, there are moments where you can feel the formula showing through. Pacing can sag in the middle stretch, and a few subplots feel like they're treading water rather than pushing the story forward. It's not enough to derail the season, but it does keep it from hitting the heights of the show's most electric moments.
Still, when Tulsa King clicks - a sharp exchange between Dwight and Bodhi, a tense negotiation, a quietly devastating look at what loyalty costs - it's genuinely satisfying TV. The crime-comedy blend remains distinctive, and the show's affection for its characters shines through even in the darker turns.